MA221 - Short film SYNOPSIS : The film starts with Ken talking to his ex over the phone. He suddenly woke up, thinking it was just a dream, so he rose up, deciding he was going to forget his ex by giving up all the things he gave him, including the memories they shared; maybe through that, he can finally remove him from his head.  At the end of that day, the ex called Ken, asking the latter for another chance, which he foolishly accepted. The next day, Ken woke up to the same day as yesterday. There, he realized he was in a time loop, as if life itself were telling him to do the right thing: cut him off from his life, or else he would go back to the same depressing day. But no matter how eager he was to move on, he still could not let him go, and nothing changed. The clones of himself were the signs that he had already been on the same day, and they were all stuck trying to find a way out of the loop.

MEG001-2 - Motion Graphics I created a promotional advocacy video encouraging kindness and understanding for people dealing with mental illness. The goal was to emphasize that mental health is as important as physical health and should be treated with the same priority. The video uses visuals and storytelling to highlight the struggles of those with mental illnesses and promote empathy and support. I hope it brings awareness and positive change. - Samuelle

MA219-4 : New Media Culture - Reel A rant about the bleak future of entertainment with the emergence of AI. It briefly tackles the then ongoing SAG (Screen Actors Guild) and WGA (Writers Guild of America) strikes in the US, and its importance for the industry.

MEG001-2 - Motion Graphics POZITIVE PIXELS is an advocacy video against HIV stigma, I tackle the rising HIV cases in the Philippines, especially among teenagers, using visual storytelling as an LGBTQIA+ advocate. The key message of my video is that a positive HIV diagnosis isn't the end but a new beginning, likened to a video game where setbacks mark the start of a fresh new chapter. I aim to contribute to a more compassionate society by providing accessible information and fostering support for those with HIV, challenging the stigma. Let's reshape the narrative and replace fear with hope in the fight against HIV/AIDS in the Philippines and the world. - Roi You can check Roi's other works here: ► https://roiarts.myportfolio.com/ ► https://www.instagram.com/roiarts23/

MA203-1 - 2D Animation This particular animation was made for the final project for the term. Rigger, Character Artist: Patrick Alexander Quinto Background Artists: Lloyd Flojo and Andrey Rafael Animators, Video Editors: Paolo Ang and Aldous Landagan

MA221-1 : Production Design Director: Kristian Fhil Cimeni Assistant Director: Dhaniel Niño Bauyon, Ashanti Bulanadi Writer: Ashanti Bulanadi, Kristian Fhil Cimeni Director of Photography: Herminio Clemente Buenaventura Editor: Dhaniel Niño Bauyon, Kristian Fhil Cimeni, Noel Gabriel Refe Colorist: Dhaniel Niño Bauyon Production Designer: Tricia Iryl Ala Assistant Production Designer: Ashley Nicole Van Der Lee Storyboard Artist: Redson Tranx Espero Cast: Noel Gabriel Refe as "Marco" Ashanti Bulanadi as "Cams" Herminio Clemente Buenaventura as "Jack" Tricia Iryl Ala as "Isha" Redson Tranx Espero as "Driver Edwin" Ashley Nicole Van Der Lee as "Aika" (Ghost) Claire Nicole Illinon as "Customer 1" Kristian Fhil Cimeni as "Customer 2" Dhaniel Niño Bauyon as "Customer 3" SYNOPSIS : In bustling Quezon City, Marco, a passionate thrift shopper, and his fashion-savvy friend Cams explore a captivating thrift shop. Unbeknownst to them, the shop harbors a sinister secret. As they uncover peculiarities, including a Facebook post joking about mysterious deaths related to thrift items, they unwittingly unleash supernatural forces. Marco, dismissive of the warnings, faces eerie occurrences at home, prompting him to delve into the shop's dark history. As he searches for a way to break the curse connected to "Ukay-Ukay" items, an unfortunate incident takes a chilling turn.

MEG001-1 - Motion Graphics Passionate about nature and design, I am glad to merge these interests through an advocacy video. For this project, I focused on mangroves, addressing the critical concerns of coastal protection and rising sea levels. Oceana Philippines served as my inspiration, given their efforts in mangrove restoration advocacy. The entire process demanded around 12-24 hours of dedicated work, with the rendering extending to approximately three and a half hours. - Kobe

MA210 - Post-Production Techniques Vicente Alagar Wilburthe Gregorio Alexandra Magbanua Carl Ragudo Evianne Radam The finished output was the result of a collaborative team effort, with the decision to perform the acting themselves being unanimous among them. Filming took place in three distinct locations: CIIT Interweave, Ninoy Aquino Parks & Wildlife Center, and a condotel. Selecting the song proved to be a challenging task, but consensus was reached on "Glue" by Beabadoobee. It took nearly a week to complete the final output. They utilized a Canon EOS 200D Mark II camera for filming and relied on Adobe Premiere Pro as their primary editing software.